Items Tagged: Wildside Press

Harp, Pipe and Symphony cover artPrime Books

October 2004

limited edition hardcover 1-93099-780-9

Buy it at Wildside Press







In this, Di Filippo’s first fantasy novel ever, Thomas the Rhymer confronts humans and faery and monsters, in a quest through lands known and unknown . . . but can he survive the machinations of the Faery Queen?


Di Filippo’s lyrical debut fantasy novel, conceived when he was 18 and written a decade later, features an innocent young hero much in the mold of Voltaire’s Candide. After a brief, unexpected meeting with his doppelgänger, perhaps the book’s most original if overly enigmatic figure, Thomas Rhymer strides down the Great Road to discover a world “where everything’s in harmony.” In a series of mild adventures, Rhymer encounters scoundrels, liars, villains and even an upside-down castle. The action picks up a bit when he comes across the scrumptious tidbit Mab, Queen of Faerie, whom he later catches reading Candide.

(from Publishers Weekly)


Plumage from Pegasus cover artCosmos Books

August 2006

Hardcover 0-80955-609-X

Softcover 0-80955-610-3

Buy it at Wildside Press






What happens when the tools and themes of science fiction are applied to the genre of science fiction itself-and to publishing in general?

Surprisingly, the result is not a black hole of dreary self-referentiality but a supernova of literary comedy, in the manner of classicists such as S. J. Perelman, Stephen Leacock and Robert Benchley, and postmodernists such as Mark Leyner, Will Self and Steve Aylett.

In this collection of short, sharp, satirical gems, Paul Di Filippo — noted for his own fiction and criticism, which gives him an insider’s perspective — turns a keen eye on the foibles, fallacies, fads and failures of science fiction the industry, mining comedic gold from the gaffes, pomposities and pretensions of authors, publicists, reviewers, publishers, editors, fans, librarians and bookstore owners.

Using their own words as springboards in many cases, he extrapolates wildly, in the classic manner of the best Galaxy magazine stories, to give us such improbable but inevitable scenarios as literary hit men, self-blinded authors, agents as personal servants and a Victorian internet.

Although these japes abound with in-jokes, nothing more is required to enjoy them than a basic familiarity with science fiction, an empathy for the human condition, and a willingness to laugh heartily.


Cosmocopia cover art(illustrated by Jim Woodring)

Payseur and Schmidt

October 2008

signed, limited edition box set 1-23456-789-0

trade paper 1-43443-554-7

Buy it now from Wildside Press





Frank Lazorg’s gone mad.

The elderly, ego-driven dean of fine-art fantasy illustrators, venerated by admirers around the world, has reached the end of a lifetime of dreams fulfulled. His creative powers have failed him, his mistress spurned him, and younger rivals threaten to eclipse him. Is it any wonder he eagerly falls upon a strange new drug that promises to reinvigorate him, as both man and artist?

But his reliance on the organic high soon turns to addiction — and addiction to madness. Lazorg finds his grasp on reality slipping. He’s suddenly plunged into a world inhabited by monstrous parodies of humanity, living in a culture that bears a skewed resemblance to the world Lazorg knows.

Yet as the oddly rejuvenated artist soon discovers, this new dimension exhibits its own, perhaps higher-level reality and tangibility, its own dangers and delights, enemies and lovers, including the remarkable being known as Crutchsump.
What Lazorg experiences with Crutchsump and her kind, however, is merely the first rung on the Cosmocopian ladder.